Joris Kuipers‘ installations are meant to be experienced viscerally. Inspired by bodily cross-sections from MRI scans, CT scans, and even botany, Kuipers’ artwork is alien yet immediately familiar. We are intimately familiar with the vascular bends and twists of his pieces, as well as the palette of reds and purples and blues.
Blown up to the size of huge wall reliefs, these biological artforms are also a little unsettling, particularly because they’ve been deconstructed, unmade, and re-formed into startling configurations. Organic deconstruction, after all, is just a hop skip away from decomposition. Of these twin concepts, Kuipers says: “Loveliness and morbidity; both Eros and Thanatos flow through my red lines.”
In some collections, Kuipers steps away from the blatantly macabre. “Letting Go” contains a brightly colored installation that looks like dreamy clouds or floating alien flowers. Other pieces in the collection involve splashes of color amidst a staid black background and plays with light, flashing and blinking at the touch of a switch. This too recalls the cathode ray tubes and autopsy scans of Kuipers’ other work, but from a subtler angle.
Subtler or not, Kuipers work is, as always, intended to be evocative. “I hope that my work will initially be experienced ‘from the abdomen’,” Kuipers says in an artist’s statement, “to gradually make itself felt in the mind of the visitor.”