Tomoo Gokita’s abstracted erotic paintings have a very nostalgic feel. As a child, Gokita snuck to read his father’s playboys, which he says are still a big influence on him now. His father created the images for advertisements in Playboy for its launch in Japan in 1975. Gokita now keeps the entire collection in his studio, and this influence shows heavily in his work. The curves and teasing stances of his characters are obvious references to such imagery. The forms and colouring make for a very retro feel, but the strange dot-eyes or the patterned zigzag head of the tuxedoed man have more of an Internet age vibe.
Gokita never reveals faces, except for the subtle suggestions in the dots. Often he flattens them completely or creates intestinal-looking deformities oozing from their head. Gokita says that he doesn’t depict faces because he became tired of them, and now he is instead interested in masks: “to hide a face and to become a different character.” This too seems to relate to his fascination with the women in Playboy. Although the images are extremely revealing, they’re also highly composed, and act almost like a mask of sexuality. Both the paintings and the images they are inspired from are a fantasy or a caricature of a woman’s true and much more deeply complex sexuality. Gokita’s paintings reduce them to be even more elemental, and also reveal their oddity. This is done very acutely due to his respect and love for the imagery. It’s a fascinating way to examine the inner workings of commercial erotic images. (Via Hunted Projects)