Mithu Sen’s Great Wall Of Teeth (And Other Visual Poetry)

Mithu Sen - Installation Mithu Sen - Installation Mithu Sen - Installation Mithu Sen - Installation

Mithu Sen did not begin her career in visual expression. Her work has evolved quite a bit to get to the point of creating an 80-foot long installation that is essentially one giant denture. She began as a poet, inspired by her mother, writing in Bengali as a child. She was published quite a few times before she moved to Delhi and began to lose her connection to her mother tongue. Afterwards, she made the transition to “artist.”

Her artwork now is often categorized as highly sexual. She has said of this: “I don’t really care if my sexual works are the reason people are looking. Sexuality is the means by which one can enter the self and the psyche. The so-called sexual overtone in my work is to provoke and trap people, to force them to see and to contemplate. I’ve tried to bring tabooed sexuality out of the closet… I try to draw sexuality from both living and inanimate objects.”

Definitely her work pushes boundaries, but in her drawings as in Border Unseen (the tooth wall) there are details and subtleties to be discovered beneath the most obvious aspects of her work. On Border Unseen, little figurines of people, skulls, toys, etc. of similar dimensions to the teeth, are camouflaged all throughout the installation. Likewise, although her drawings are overtly and uncomfortably sexual – as in the piece where a finger seems to be inserted inside an animal within which is another animal – if you are able to overcome the initial disturbance, there’s a great deal of tenderness below. Although the work is challenging, it is not so heavy-handed, and always demands more open-mindedness of the viewer; always a worthwhile exercise. (Via BOMB Magazine)

Mithu Sen - Drawing Mithu Sen - Drawing Mithu Sen - Drawing Mithu Sen - Installation

Advertise here !!!