A while back we posted a great studio visit with NYC painter Brendan Cass. While combing vimeo I stumbled across these 2 videos of Brendan both in the studio and giving a walk through of his show at Lars Bohman gallery in Stockholm. Both videos give an insiders look into Brendan’s techniques, references, and thought process. I appreciated Brendan’s openness and sincerity about his work.
I’ve always loved hearing artists speak about how the create their work. There is so much thought that goes into making a painting that the viewer doesn’t see with a quick glance. This made me think about my own studio practice and all the dots that I try to connect in my head as I’m making work. There are many times when i try out new things in my paintings not knowing if viewers will pick up on it. I guess that’s just how it goes. You’ll never know what the outcome will be if you don’t take that first step and try.
Josh Evans is a Los Angeles based illustrator who works his pieces from varied sources of inspiration; a music icon, the meaning behind a word, an historical yet obscure event. I admire Josh’s illustrative methods which change from one work to another… he seems to choose a medium best fit for the story of his subject. Don’t miss Josh’s recently published zine titled Rankle Jones, and the curious history of how this publication came to pass.
Etienne Bardelli, also known as Akroe, was a graffiti artist before he became a well respected graphic designer. Twenty years later, on his own time, he can still be found painting empty walls in the less populated parts of France. (Although he admits: “Actually, I don’t really know why I’m still doing it!”) Graffiti may be illegal, but surely this counts as beautification?
Maurizio Bongiovanni’s paintings look like the effects of the past, or perhaps the future making its stamp on the present. But what makes Maurizio’s imagery even more effective is his choice of mundane subjects. Birds – sweet, chirpy, perched – suffering the effects of having fallen through refractive cracks… or their existence stretched as they fall toward some unforseen black hole?
Dutch artist Michiel Schuurman creates designs in which typography fully replaces the need for imagery with his high-contrast, intricately patterned pieces. Schuurman’s mind-bending work might be straining my little eyeballs, but in the best sort of way. Like, whatever is wrong with my vision is not something I want to get fixed, which, is great because I don’t exactly have insurance anyway. Schuurman’s vision is a fantastic, technicolor trip down the rabbit hole. With an amazing attention to detail, he designs down to the pixel.
The Beautiful/Decay book series showcases the most extensive interviews and in-depth features with emerging artists today. Featuring 164 ad-free pages of articles, vivid imagery, collectible art inserts, and more, the hand-numbered book is a source of inspiration you’ll return to time and time again. If you’re discovering art on the internet alone, you’re missing out on the bigger (and yes, less pixelated) picture.